Recap: Last week we addressed character likeability and reflection of self through characters. Remember, we looked at Andy Weir’s three major novels as examples of the likeability scale to strong characters. If you want a refresher, or are just joining us, review the older posts below. Character Development and Character Creation: Character creation is the …
Recap: Last week we talked about selecting your story’s main character. There were a couple exercises offered to help you identify who would stand out in your story. Did you try these? And did either of them help you in identifying your main character? This weeks topic ties into selecting your main character, but also …
Continue reading Character Likeability and Reflection of Self
Recap: Last week we covered the ongoing debate of round versus flat characters. Some say that all characters should be round, while others say you need a mix, but in the end, it takes all kinds of characters to support a story. This led us to the discussion of the main character of your story …
The discussion delves into the importance of crafting flat and round characters in storytelling. Flat characters, though seemingly shallow, serve vital roles in supporting and contrasting round characters. Round characters possess depth, evolving throughout the narrative, eliciting emotional investment from readers. A writing exercise encourages the development of both character types, highlighting the balance essential for crafting compelling stories.
Recap: Last week, we covered the three subcategories of the destructive character arc. Can you remember what they are? The destructive character arc can lead to some interesting developments in protagonists, antagonists, or other impactful characters in your story. All of this depends on what the purpose of your story, or the purpose of the …
Kenneth W. Myers 