That moment where a seemingly nobody flashbacks or flash-forwards to the moment that will give the reader the buy in. These powerful tools can build or relieve tension, but sometimes we miss the mark as we lose readers in the non-linear story. What if the most powerful part of your story isn't happening in the present?
Time travel fiction presents one of storytelling's greatest challenges: crafting narratives that leap between past, present, and future without losing readers. This comprehensive guide explores establishing consistent time travel rules, managing multiple timelines, avoiding common paradoxes, and maintaining emotional stakes that transcend temporal complexity for compelling temporal narratives.
Starting in medias res isn't about explosions or car chases—it's about emotional impact. True mastery means dropping readers into a moment that already matters, whether that's an emotional crisis, a conversation that changes everything, or a discovery that reshapes the story. It's meaningful disruption, not mindless spectacle.
"Backstory is like seasoning—a little goes a long way, but too much ruins the dish. The 90/10 rule suggests readers only need to glimpse 10% of your character's history. The key is revealing past details when they become emotionally or narratively necessary, not when you think they're interesting."
Think your story needs to be either plot-driven OR character-driven? That's the biggest myth in writing. The truth is simpler: great stories use both. When Jason risks everything for a stranger during a high-speed chase, you learn his character through action. When Mr. Darcy quietly saves Lydia, plot reveals his true nature.
Kenneth W. Myers 